« Moi, sibylle, sibylle désolée » La figure de la sibylle, forme privilégiée de l’expression littéraire de l’engagement, de Germaine de Staël à George Sand
(2025) Cahiers Staeliens — n° 74, p. 141-160 (2025)
Files
ArticleCS74.pdf
Preprint
Open Access - Adobe PDF
- 281.51 KB
Details
- Authors
- Abstract
- (en) This article explores the resonance of the work and personality of Germaine de Staël in George Sand’s work, at a key moment in her career, from the publication of Lélia in 1839 to the diptych formed by Consuelo and La Comtesse de Rudolstadt (1842-44). We’ll show how Stael’s work and figure enabled Sand to think about the condition of the woman artist and the public role of the writer, all the more so in the case of a female author.
- Affiliations
Citations
Saintes, L. (2025). « Moi, sibylle, sibylle désolée » La figure de la sibylle, forme privilégiée de l’expression littéraire de l’engagement, de Germaine de Staël à George Sand. Cahiers Staeliens, 74, 141-160. (Original work published 2025)