This article examines the evolution of a contrapuntal structure, called "directed progression" by Sarah Fuller, in the Josquin era. It suggests that the evolution of this progression between the fourteenth and sixteenth centuries is linked to changes in the tuning of keyboard instruments. The focus of this study is not Josquin himself, but a contribution to the history of contrapuntal thinking, of which he is an outstanding representative.
Ceulemans, A.-E. (2023). Evolving Scale Conception and Directed Progressions in the Josquin Era. Tijdschrift van de Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis, 72, 3-24. https://hdl.handle.net/2078.5/233603 (Original work published 2022)