The paper explores how Victor Burgin reacts in his artistic work to the 1970s debate about pleasure and the representation of woman, evolving from a position of putting visual pleasure “under erasure” by frustrating the male spectator’s pleasure of looking at a female body to the question of “how to offer pleasures – of how to gratify the desire for pleasure – without perpetuating and reinforcing oppressive social relations.”
Streitberger, A. (2017). Pleasure under Erasure? Victor Burgin and the Image of Woman. Du genre et des humanités, Université de Louvain. https://hdl.handle.net/2078.5/99685