This special issue of Image [&] Narrative examines the mediation of fraught images in a contemporary public sphere, and within that orbit, the unique role that the photofilmic may play with regard to their production, circulation, and reception. The essays compiled here originate from a symposium held in October 2013 in Louvain-la-Neuve, Belgium, where participants debated the double predicament of fraught images in the mass media – their excessive emotional charge as well as their abstracted vacuity, both hindering the creation of an “informed” public.
Streitberger, A., & Cohen, B. C. (2015). Photofilmic Art, part 1: Negotiating Fraught Images in a Contemporary Public Sphere - Introduction. Image & Narrative : online magazine of the visual narrative, 16(1), 1-4. https://hdl.handle.net/2078.5/78990 (Original work published 2015)