'See, the Bridegroom Cometh; Go out to Meet Him'. On Spiritual Progress and Mystical Union in Early Netherlandish Painting

Falque, Ingrid
(2012) Lovis Corinth Colloquium ‘Ab historia proprie figurativa’: Visual Images as Exegetical Instruments, 1400-1700 — Location: Atlanta, Emory University (16.February.2012)

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Siet, de brudegom comt; Gaet ute hem te ontmoete. Jan van Ruusbroec’s Geestelike Brulocht begins with this well-known sentence from the Gospel of Matthew (25,6), which then serves as a structure for the whole tract. By doing so, the Brulocht offers the reader a subtle description of the spiritual life, the goal of which is union with God. In this paper, by focusing on the strategies and the themes/metaphors developed by Ruusbroec in his works and by the pictorial devices that we can observe in Early Netherlandish paintings, including devotional portraits, I would like to show how images can be understood as a “mise-en-image” (or visualization) and as visual instruments that both show and explain the complexity of the spiritual quest leading to the union with God in the Late Middle Ages.
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Falque, I. (2012). ‘See, the Bridegroom Cometh; Go out to Meet Him’. On Spiritual Progress and Mystical Union in Early Netherlandish Painting. Lovis Corinth Colloquium ‘Ab historia proprie figurativa’: Visual Images as Exegetical Instruments, 1400-1700, Atlanta, Emory University. https://hdl.handle.net/2078.5/192395