(en) This chapter undertakes an exploration of the cosmological depths within the Deleuzo-Guattarian philosophy of nature, particularly through the lens of Deleuzian logic concerning aberrant movements and Guattarian notions of transistantiality. This analysis is conducted within the framework of the reverberative, thus nomadic, functions of music or what we designate as akoúômorphism — the aesthetic and political capacity of a world to unfold towards another, thereby allowing diverse forms of life to permeate, fostering both emancipation and consistency.
Renzo, A. (2026). Cosmic Triptych: A Deleuzo-Guattarian Exploration of the Transistantial, the Fleeting and the Akoúômorphical. In Janae Sholtz, Alain Beaulieu (ed.), Deleuze and Cosmology (p. p. 368 pages). Edinburgh University Press. https://hdl.handle.net/2078.5/274075